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The fall of a proud, dignified man, the murder of a graceful, loving woman, and the unreasoning hatred of a villain, have all evoked fear and pity in audiences throughout the centuries. If it lacks the cosmic grandeur of some of Shakespeare's other well-respected dramas, Othello nevertheless possesses a power that is perhaps more immediate and more strongly felt than that of his other plays.
Othello is also unique among Shakespeare's great tragedies in that it is set in a private world. The drama focuses on the passions and personal lives of its major figures.
Othello has often been described as a tragedy of character, as the play's protagonist swiftly descends into a rage of jealousy that completely destroys his life. With his dazzling display of villainy, the character Iago, the play's antagonist, has long fascinated students and critics of the drama.
The relationship between Othello and Iago is another unusual feature of this work. With two such prominent characters so closely associated, audiences have trouble determining which of the two characters is the central figure in the play and, therefore, which one bears the greater responsibility for the tragedy.
Othello is believed to have first been performed in or perhaps in It is one of Shakespeare's most highly concentrated and tightly constructed tragedies.
The play was written with no subplots and little humor to relieve the tension.
Although Shakespeare adapted the plot of his play from the sixteenth-century Italian dramatist and novelist Giraldi Cinthio's Gli Hecatommithi, the English playwright focused his attention only on certain parts of Cinthio's story. The Italian's creation includes a series of ten interconnected short stories.
Shakespeare's Othello is taken from just one of them, the one concerned with marital infidelity and a husband's revenge on his wife. Because of this tightly constructed structure, the play's ominous mood is heightened, and the threat to both Desdemona's innocence and to the love she and Othello share is made more terrifying Although narrow in scope, Othello is widely regarded as the most moving of all of Shakespeare's great tragedies.
As a matter of fact, rumors abound that during some of the earliest productions of this play, audiences shouted out warnings to the actor playing Othello and threatened to bring harm to Iago. Although Othello is described as a Moor, a citizen of northern Africa, the play is not overtly about race.
In Shakespeare's time, black actors were not used in the role.
However, critics continue to debate if race is crucial to the play or if it is merely incidental. Some have stated that the color of the skin makes no difference when it comes to human psychology. What is important in this play is that Othello is a man of high esteem, a victorious hero, who succumbs to the manipulations of a shrewd and devious man.
The results are devastating, horrifying, and, of course, very dramatic. Roderigo is angry because of Othello's marriage to Desdemona.‘the motive searching of a motiveless malignity’ Coleridge ‘Iago is not motiveless but clearly motivated by racism and hatred ’ JR Andreas Use discussion work as preparation for Iago essay.
‘Iago is not motiveless but clearly motivated by racism and hatred ’ JR Andreas. graceful, loving woman, and the unreasoning hatred of a "motiveless" villain—all have evoked fear and pity in Using himself as an example of how the system works, Iago professes his belief about duty and service.
He Iago appears to be motivated to help Cassio, but in actuality, he wants to further his own plan to discredit him to.
Samuel Taylor Coleridge describes his motives best in saying "the motive-hunting of a motiveless malignity."(Snyder, 10). Iago's only reason for destroying Othello is that Iago is an inherently bad person.
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Learn more. AS and A Level. AS and A Level resources with teacher and student feedback. Popular AS and A Level Subjects; Biology (2,) Business Studies (3,) English Literature (8,) Geography (2,). The notion of Iago being possessed of a "motiveless malignity" is a theory advanced by the poet Coleridge concerning the character of Iago.
Textual evidence of Iago admitting this is as follows, “He’s done my office. I know not if’t be true,/But for mere suspicion in that kind,/ Will do as if for surety. (iii,i,)”.
This quote gives truth to the saying “Motiveless Malignity”, Iago has no motive but still chooses to be ‘malignant’.